Tuesday, March 29, 2011
Thursday, March 24, 2011
Wednesday, March 23, 2011
Saturday, March 19, 2011
Thursday, March 17, 2011
Patrick J Hamilton, of AskPatrick.blogspot.com, interviews Interior Designer Michael Tavano, about his career, his own home, and his tabletop designs for ELLE Décor and DIFFA's Dining By Design. Listen in on the conversation now, and visit Michael's House Tour for Apartment Therapy!
Saturday, March 5, 2011
At the party, there was giddy chatter about how “revolutionary the concept.” Perhaps bringing multiple antiques dealers under one roof (and brand) in an existing trade-only design center is newfangled, but consolidated antiques sales by multiple dealers is not a brand new concept. Just ask the dealers at, and folks behind, the not-too-distant Center 44, a venerable and well-marketed antiques center in Manhattan, one example of many that probably wonder what the hoopla is all about. One respected independent dealer not part of 1stdibs@NYDC agrees: “1stdibs’ space at NYDC is just another antique mall,” he says. He also thinks the highly curated and extremely tasteful displays (something that does set the 10th floor apart from some other dusty, crowded antiques malls) are gorgeous now, but wonders what will happen when the reality of square-footage to sales ratios start to register. “I bet that within 6 months they start getting a little desperate and start cramming stuff in.”
Providence, RI's HEIR Antiques
The whopping 33,000 square foot space is airy, stunning, shiny and new, now, no argument, but it seems more gallery or installation than a high-powered retail concept, leading to some visitor confusion. In fact, Tyler Doran of Providence, Rhode Island's HEIR Antiques said, “People were asking how long ‘the show’ was going to be up, so I'm not sure people realize it is a permanent fixture within the NYDC.”
Permanent, yes, but apparently the building hopes the merchandise turnover will maintain the opening night energy (where lots of “Sold” and “Hold” tags were scattered about on furniture and accessories before the last wine was poured), and they’ve apparently built in turnover, with short term leases to keep the curious coming back, as merchandise, and vendors, change.
Dealers with big names and storefronts elsewhere in Manhattan have also chosen to board the 1stdibs train… Wyeth, Mariette Himes Gomez’ “The Shop,” Hostler Burrows, and Patrick Parrish's and Greg Wooten's Mondo Cane among them. They’re perhaps banking that visitors will be tempted enough by these small tastes of their wares to venture elsewhere in town to sample the full buffet. All these vendors could have joined the NYDC roster before… but chose to do so only when 1stdibs announced its upcoming presence. But that’s the power of Bruno.
In an article published in 1stdibs own “Introspective” e-zine, Adam Charles Greenberger of Charles Bank Gallery says he would consider standing in line for a booth of his own. “I think fine art in a decorative setting would be great,” he says. Some current vendors on other floors might beg to differ: as much as fine art has seemed a natural fit to high end décor, it’s traditionally been a tough sell in these halls.
The draw of this deal has also brought dealers from across the country, putting big stock into the dual appeal of a tony Manhattan address and the Bruno touch, including the boy’s club quirk of Doran’s HEIR Antiques, and the sophisticated patina of New Orleans’ Karina Gentinetta disegno. Like the frequent art and antique shows that bring national dealers to New York’s Piers and Armories, the broader perspective brought by these out of towners is a welcome invasion.
Without stealing Bruno’s thunder, full credit for revolution really goes to Jim Druckman (he owns and runs the NYDC) for sealing the dibs deal and reinventing his building. In doing so, he’s helped reawaken sleepy to-the-trade showroom buildings in the process. That’s where credit for smart, creative thinking fully lies. That’s the reinvention.
But it’s not without risk. Druckman’s gamble here is that this floor, open to the public with or without their designers in tow, will draw an audience that’s never before set foot in “200 Lex,” the nickname given to the NYDC by generations of designers and decorators. Merchandise can be purchased without a designer (but also without their designer discount) from any of the 1stdibs vendors. As far as retail traffic in a trade-only building, Weinberg is a believer. “I can’t think of a business model in this industry that would work right now without a retail component.”
The other hope, no doubt, is that the activity on 10 will trickle down… and up, giving much needed foot traffic, and the energy that comes with it, to the entire building. The building has even added official Saturday hours to this previously Monday through Friday schedule to draw weekend shoppers. But risk or not, Druckman is a happier landlord when these 33,000 square feet are rented out.
1stdibs@NYDC is still working out how to tell the story to visitors, since 1stdibs has worked so hard to brand itself as an online purveyor. The pieces here are also represented online, in a special section of 1stdibs.com, adding to some of the confusion. In fact, the saleswoman at the desk seemed more eager to show the wares on the website than just steps behind her. Interesting, too, that on 1stdibs@NYDC on 1stdibs.com, the name of the dealer is nowhere to be found... items are listed only as "Available at 1stdibs@NYDC." Call me demanding, but if I were paying Manhattan rent, I'd want my name even on the virtual shingle.
Like the online version of 1stdibs, there is wild range to pricing, and vintage pieces that far exceed licensed re-issues which are still available. Case in point: a Serge Mouille fixture shown here for $8150 is available new for $7810 at re- and e-tailers like SwitchModern. And also like the online 1stdibs, the reputation of the dealers, added to the panache of the 1stdibs name, drive prices up for merchandise you can indeed already buy on eBay for far less, if you look carefully enough. Perhaps that’s the price of shopping one considerable link up the antiques food chain.
Once the waiters packed up the glasses, the experience on the 10th floor is quite different. Computers replace the champagne flutes at the concierge-style front desk, where a pair of salespeople is on hand to answer questions and (hopefully) close the sale on behalf of the absentee sellers. The dance music is still pumped in, but in this whole-floor space, the crowds are gone, the booths and bays are unattended, and the word “museum” comes more quickly to mind than “store.”
Will shoppers get the difference? Will retail pennypinchers pay more for provenance and the 1stdibs style blessing, or shop the deal online, as they have been doing pretty aggressively since websites like SwitchModern, DesignPublic and HiveModern started up? Will retail be a conflict to the design trade that this building was, well, built for? Will Bruno save the day, leaping into this tall design building in a single, stylish bound? Time will tell. If this is what it takes to get more people into this gem of a trade secret building, great. There’s always been beauty, art and sophisticated tenants here. Now, with 1sdibs as the latest name in a building that already boasts many (Kravet, Baker Knapps & Tubbs, John Saladino, Tucker Robbins, Odegard, Dennis Miler & Associates, and Druckman’s own Profiles, a few examples), maybe their secret is no longer safe. That’s not a bad deal for anyone involved. Thanks, Superman!