Thursday, November 21, 2013

... about where to start.

More and more, people are asking me how to pull a room together...

layout advice, color inspiration, how to make a room feel finished, why a room isn't "working," where to start when selecting a color scheme... So I thought I'd start publishing some of those questions, share some advice, and meet and work with people outside of Manhattan.

Welcome to Ask Patrick, an interior design site where you can submit your own rooms and questions for makeover advice, guidance, and inspiration.

Send your images and questions to hatrickdesign@aim.com.

Sunday, November 10, 2013

...about giving it away.


“Hey,” the email started, casually enough, one "girl" away from a Ryan Gosling meme. “We're looking for a couple designers [sic] to put together a couple of boards for us to feature on our homepage re-launching soon. Would you be interested in making a quick board for us?” 

It went on... 
"Digital design boards are super easy (my emphasis, not theirs) to make. I'm sure you've made a bunch before. We will credit you as the designer / artist and refer people to your blog or website. It's good publicity.”
It’s the kind of request with which bloggers and designers are quite familiar. But this particular request sent by email, (to me, and unfortunately, mass-mailed to over 50 recipients, all listed... talk about not feeling valued, from the start), got a swift reply from one angry recipient:
“Thanks for your email and for thinking of me.
 You are correct, I have a wealth of experience putting mood boards and working with brands to promote their social media activities...
 However, good work deserves to be paid. Time spent on a project deserves to be paid, bills that we all have need to be paid and while I'm hugely grateful for the amazing publicity working for free will give me, I do not work for free.”  
It, too, went on...
“And I think companies like yours, should stop thinking that bloggers do not require to be paid on the basis that you provide 'good publicity' because let's face it, it's complete bollocks and I sincerely hope that any of the designers, bloggers, creative people copied on your email will take pride in what they do and turn down your 'very attractive' offer to focus on paid work or quality time with their families.
Warm regards...” 
(For the record, it wasn’t I who responded. I wouldn’t have hit “Reply All," for one thing... but ANYwho...)

That response touched off a virtual volley of high fives, Amens, and you-go-girls among the many on the list who received it, who might not have responded that way were it not for the sudden empowerment of this virtual Norma Rae's "Reply All." 

We’ve all heard the pitch... “It would be tremendous... (wait for it... wait for it...) exposure.”

Exposure. Any blogger and most writers know the “e-word” all too well. Some days, it seems the most popular form of currency. Actually, some days, it seems the only form of currency.

That email response to the e-word wasn't the only recent backlash against the “no-pay-to-play” offers that beleaguer the blogosphere. Charming chum and well-connected designer-blogger Christopher May had a say (including some staggering financial statistics about one of the ones doing the freebie-asking) over on his blog Maison21, as did a recent piece in the New York Times

Maybe I’ve seen Les Mis one too many times recently on HBO, but suddenly, I hear a faint chorus of “Do you hear the people sing?” off in the distance.

Is there a revolution afoot?

In print and on the Internet, even with the ease of Pinterest and Tumbler (two vehicles, I think, that have somewhat diluted the value of blogging) content is still king. And ultimately, content, for somebody, is cash. So how come fewer and fewer people are offering actual cash for it?

Because somewhere along the line, content also became a commodity. So many people said yes to getting paid with exposure and nothing more that it’s become acceptable to be asked to do something for nothing. It made me wonder why we bloggers give it away. Especially when blogging itself is not making anyone rich, anytime soon.

It’s sometimes funny to hear the heated discussions about minimum wage happening now... if you spread out the work over the time it takes for blog posts, even for reputable, highly trafficked sites, suddenly $7.25 an hour doesn’t look too shabby. It's not unusual to spend 30+ hours for less than a $200 yield to source, scout, photograph, interview, write and build a post, for sites with clicks and visitors in the MILLIONS.

Of course there are perks to blogging: great invites, goody bags, prestige, priority seating at certain events, press access, and more... but so far, my landlord doesn’t take “goody bag” on the first-ish of every month.

The hope for many or most of us with blogs is that they’ll eventually lead to the kind of traffic numbers that finally bring in ad revenue through sponsors and advertisers. Or, that the blog and the audiences they build will ultimately lead to other deals: books, product lines, licensing, as some bloggers have done, the talented Jeanine Hayes for one, Ronda Rice Carmen and coco+kelley some others.

But all this made me wonder: why do so many of us, myself most certainly included, do so much for so little? I’ve said yes, on a regular basis, to freebies (or “e-bies, to continue the “exposure-as-currency” analogy).

Is it ever good (or at least, appropriate) to “give it away”?

In some instances, I still think yes. And here are a dozen reasons why.

The Gilded Stag - "Design on a Dime Details"
1) As a Thank You
Landon Shockey, the gentleman’s gentleman behind the Arkansas-based The Gilded Stag, volunteered to donate his gorgeous (and 100% custom) Shaftesbury Bar Cart to last year’s Design on a Dime without hesitation. So when he also asked me to contribute a piece about the event to his blog, no hesitation from me either. Plus, it helped me further promote the event (and, let’s face it, myself, too). And because the Design on a Dime story was one I loved to tell (and had done so several times over when courting donors) it was also very minimal time commitment. Speaking of which...

2) When Time Commitment/Expectation is Minimal
Sometimes, I’m cheap when it’s easy. When I get a request to answer a question, and the deadline is not “today by five,” I’m happy to lend my name and ideas to a discussion or article, since it’s part of my own brand strategy to be a tastemaker and go-to “voice” on the topics of interior design, small spaces, color and art consulting. But there is a difference between providing a quote and writing (and building) a blog post.

Bubble & Squeak "Ski Lodge Mod"
3) When You Love the Vehicle
I loved the gorgeously presented content by the boys over at Bubble and Squeak the very first time I saw it, so when they invited me to do a guest post, I said yes in a heartbeat. I love what they do, love how they do it, and it let me flex my creative writing muscle a bit more than usual (they have a lovely narrative format with all their perfectly-crafted blog posts), while bringing a long-term trend concept, “Ski Lodge Mod,” to vivid life. Win, win. 

They also offered me a giveaway opportunity to grow both of our audiences, and they built the blog post. Win, win, win. And Eric Retzer, one half of the Bubble & Squeak partnership, brokered my first Design on a Dime exchange with the wonderful folks at Pagoda Red, so this was also pay-back (the good kind).

Huffington Post Gay Voices
4) When it Helps Promote Something You Feel Strongly About
If you only know me through AskPatrick, you only know me as an interior design writer/blogger. But if you know me through Facebook, you know I also contribute to the LGBTQ website The Bilerico Project, another gig for which I don’t receive compensation. Same deal with Huffington Post Gay Voices.

But while neither pays (no, not even the wildly-read HuffPo.), my writing for both has allowed me to add my voice (and attract a new audience) to some issues about which I feel strongly. And the personal nature of some of the pieces, whether about break-ups, family loss, or marriage equality and gun control have proven strongly cathartic. So even though freebies, I get plenty back from both.

The Bilerico Project
Aside from reining me in when I go all CAPSLOCK, Bilerico founder and editor Bil Browning gives me a very long leash and tremendous freedom when it comes to timing, frequency, and subject matter, things worth considering when asking for free content from others. The less they pay, the more (reasonable) freedom they (or you, if you’re doing the asking) should extend.

This kind of writing is highly rewarding, and has also led to some remarkable friendships, an invigorated social circle, and even the occasional comped theater ticket. Plus, “published work” (and this counts) is what they ask to see once you do grab the attention of a paying publisher.
I love print shelter magazines, so when I had the opportunity to contribute to New England Home magazine’s blog, I jumped at the chance, (actually, I think I asked them if I could contribute, when they shared a roster of upcoming guest posters on their Facebook page.) It put me on their radar and is a potential door-opener to future in-print possibility. (important distinction: that was my hope and not their pitch.) 

They are also remarkably sensitive to asking for free content. They limit the number of pieces they ask for, spread it out judiciously, and are also remarkably open to kind of post, topic, and length, which also indicates they have a true appreciation for the value of content.

Magazine editor Kyle Hoepner has made it clear that he understands the benefits have to be mutual, and that’s also an important distinction... the Asker needs to understand—and acknowledge— that there is real worth and value to what’s being requested of the Askee.

Plus, the connection to NE Home also gets my name out to a region where I could also potentially do design work. And as a RISD grad, I still hold a soft spot in my heart for all things New England.

An important distinction, too... the NE Home blog is a support community to the subscription magazine...  and nobody’s asking for written content for free for the magazine itself. Which leads to...

6) If it’s NOT for a Paid Subscription
I will most definitely draw the line if someone is asking for an article or ongoing writing when the end vehicle is a paid subscription, print pub or e-zine, selling basically words and pictures. And yes, that request has crossed my radar.

Ilevel
7) As a Showcase for a Skill Set You Feel is Underexposed
Speaking of my RISD roots, I’ve always loved fine art and art collecting, so I’m always looking at ways to work myself into those kinds of conversations. I had two separate chances, one for iLevel and another for artist Todd McPhetridge when he himself was guest blogging for Lori McNee’s Fine Art Tips.

Lori McNee's Fine Art Tips - "Art Buying Secrets fromTop Interior Designers"
While it may seem like giving away industry knowledge for free, I think it helps give you back referral points when leveraging your identity in a specialty niche. It’s also why I gave up my time and insight several years back when asked to sit on a panel of art collectors for the annual :scope art fair. And I don’t see too much distinction between being asked to write an article for free, or being asked to moderate a panel at something like the Design and Decoration Building’s twice-a-year Market events... or being asked to lend your voice to an interview or blog post.

Here in This House - "Creative Types"
8) Mutual Admiration Society
I loved the ladies of Here in This House the very first time I met them, so again, when they asked me to tell their readers about me, I said “Tell me when.”

They made it very easy, they built the post, and gave me plenty of time... then they also actively promoted it, another key criteria for knowing when to say yes. The timing was also perfect: pre-Design on a Dime, so it wasn’t just about promoting me, it was also about promoting the event.

I’m sorry they’re no longer publishing, and I miss their real and virtual presence here in Manhattan. If they ever fire up the blog again, I’d contribute again.


9) If it has True “Cash” Value
There are some things you just don’t say No to. When House Beautiful and Valspar approached me to be part of their series of designer-featured advertorials, I think I might have paid them. The end result: a full page advertorial (the content of editorial, the real value of paid advertising). As a starting-up designer, it’s going to be a while before I can afford a full-page ad in House Beautiful, so this deal (including a professionally shot, edited and packaged video, and an online e-zine feature) had real the real value of cash, not just cachet.


10) Backing a Brand (and Doing What you Love)... with Something to Show for It.
I was asked by my friends at JanMacBrands and Lenox to style a tabletop for the Lenox Tumblr page, and while it took some time and (initial) money to do it, four things made me say yes: 1) Lenox is a great brand with which to be aligned. 2) There was a reasonable budget and I was reimbursed for all out-of-pocket expenses, 3) I LOVE all things tabletop, and 4) (perhaps most importantly), the gig was professionally shot, shots to which I’d have access (which, as in the House Beautiful gig, has an actual value attached).

I’ve heard more than one interior designer on dais or panel say, “Always shoot your work.” And while this wasn’t an interior, it was something I do include in my portfolio of services. So this one, although “unpaid,” had a definite pay-off, among all the other less tangible benefits, and without going into my own pockets to do it. On this one, the shots were the clincher.

11) Staying Busy... and Creating Content
I will admit, when design work was slower, I was more apt to say yes to a freebie request, and as I’ve become busier with paying work, I’ve been more cautious about giving it away. But I’ve also found that, for me, “busy creates busy” so there were times where I welcomed the work mostly for the energy and forward momentum it created, even if no monetary value was attached.

But that led to another breakthrough, of sorts: when I want to write for free, why was I writing for free to add value to someone else’s brands? So now, if I have the time and want to create some of that momentum for myself, I write a blog post on my own blog first (even if it's about one of those brands), and entertain outside offers second.

12) You Want Something New to Promote
And all these examples gave me something to talk about through social media, gave me something to leverage, and help build my brand buzz.

I realize it's not all one-sided, in this merry old Land of Blogs. Exposure does count, and some sites and brands who ask for something do deliver in return: wider audiences, traffic spikes, the start of a long-term partnership... but all of that starts from mutual respect. Every arrangement should feel like a partnership, not like you're being milked dry so someone else can bring home the bacon, to mix my barnyard metaphors.

But freebie requests aren’t just limited to design sites or style writers. A friend passed along a call for writers from a site for which I have tremendous respect, The Good Men Project. I was excited about the possibility, until I read their own pitch, striking in its matter of fact nature and prioritization of cold, hard fact:
“Answers to FAQs: a) unpaid b) 2 month minimum commitment c) you can always link back to your own blog d) the majority of your posts will need to be unique content e) you will upload and format your posts, however, we will have final editorial say f) yes, we work with many large media companies and will help push your work outward.”
But it’s not just bloggers who are getting asked to provide content for free: some of them are doing the asking. One prominent blogger, when asked what the compensation was for designers to be featured in a new book, answered, “Notoriety.” We’ve got a ways to go, inside and out.

Next time someone asks you to do something for free, see if it’s worth your while. Actually, see if it’s worth your worth. And make sure it’s on your own terms.

So what do you think? Valid reasons, or guilt-assuaging hindsight justification? Is it ever right to give it away, or are we just undermining our own talents when we do it? I’d love to hear from you! and I KNOW you have opinions on this one!

Saturday, October 26, 2013

...about the kindness of strangers (and friends): Holiday House, 2013

So, I might have mentioned that I'm doing my first room at Holiday House. And while it takes a village to raise a child, apparently it also takes a village to furnish a 10 x 10 room. And what a village!!  

I am ECSTATIC about the generous, generous folks who have stepped up to do literally tens of thousands of dollars worth of work for my first ever entree into Holiday House, the annual Manhattan show house with which I've been smitten and obsessed since my first stroll through the Academy Mansion, a chic stone's throw from Central Park. 

JAB Anstoetz has provided a staggering amount of yardage, for window treatments, sofa upholstery, upholstered screen and pillows, and the lovely Caroline Vaughn in their Design and Decoration Building showroom has proven an elegant and REMARKABLY helpful (and even-keeled) cohort, sounding board, and collaborator.

Wrapping the room will be an INCREDIBLE Arte Wallcovering, courtesy Bibi Mohammed at  Studio K New York, the redubbed D&D Building outpost for the entire Koroseal line.

My favorite boys who do windows, Michael Tavano and Lloyd Marks of MT Custom will be providing their couture-brand of window treatment, using a JAB fabric that's been hand-painted by the lovely ladies at Coleman Taylor to craft a custom Roman shade (You, WIll. DIE.). The gents are adding their signature dress-making detail to lush drapes that would have Scarlett O'Hara ripping them out of the window in delight. How these boys do it, I don't know... their generosity and creativity seems to know no bounds, just recently rocking Ronald McDonald House of Long Island, setting a stunning tablescape for Bilotta, and stealing the show at the annual Masquerade Ball to benefit the Alpha Workshops Studio School. And that was just October, while running their renowned work room for window treatment fabrication.

Speaking of workshops and work rooms, my friends at The Alpha Workshops are bringing my wood work to life, and Chase Tyler of The Workroom will be creating a custom upholstered screen, room-spanning and eight feet tall.

And then there are the "loaners:" furnishings, antiques, and artwork from a Dream Team of some of the design world's most venerable showrooms and brands, artisans and artists. Avery Boardman, Donghia, Lee Calicchio, Ralph Lauren Home, John Lyle DesignJonathan O'Hea Antiques, Treillage, and O'Sullivan Antiques, to name drop a few.

Some of these brands are brand new collaborations for me, allowing me to use sources I've only ever dreamed of using before, a testament both to the exceptional reputation of the House and the generous spirit of the New York design community. Among the new (to me) sources are Anthony Lawrence Belfair (the couture upholstery work room in Chelsea, providing a STUNNING antique chest, helping to tout their under-the-radar antique restoration services... thank you, industry advocate and ALB good-guy Mario Villamar!!!) and Chesney's, the only place from which I ever dreamed of getting a fire place mantle, for this room or, well, ever. I instantly knew I was in good hands the minute I met the lovely (and funny!) Katherine Perino in their soon-to-be-headed-upstairs D&D showroom.

And in the SHORT window of prep time from announcement to Gala opening, I had all but written off the idea of ANYTHING custom, but Stephen Mitchell of uber-swank DESIGNLUSH is providing a custom version of his signature Modernist bench, and stunner Andreea Avram Rusu, of Avram Rusu Studio, is handcrafting the ultimate jewelry for the room, one of her brass and gemstone lighting confections. I first met Andreea at a past Holiday House in her burnished and sexy take on New Year's, where she first launched the design. Andreea's lighting fixture isn't the only piece of her collection in my room, but I won't spoil the surprise.

Since I hit some of my favorite retail sources pretty heavily each year for Design on a Dime (and THOSE sources don't get their wares back at show's end!), I tried to go light with them for Holiday House, but I couldn't imagine a room without Currey & Company, Mitchell Gold + Bob Williams, and Wisteria, so once again I came knocking... and they all said yes, finishing the room off with lighting, accent pieces, and tabletop items, to give the room the details that round out a show house's narrative.

But, as is true with past Design on a Dime rooms, my Big Window Challenge, and my own interior designs, I'm perhaps most jazzed about the artwork... a Martin Schoeller photo from my own collection framed by Steven Amedee Fine Custom Framing, a room-anchoring photo from Daniel Cooney FIne Art, a custom-framed print from J. Pocker, a work on paper from Dan Romer, and a GORGEOUS and poetic piece from Jefferson Hayman.

The beloved Dennis Scully of Avery Boardman deserves an extra special shout-out, for performing nothing short of a miracle (and for being outrageously gracious to me when, with the tenacity of a Norfolk Terrier at suppertime, I refused to take no for an answer).

And since I'm heeding Ally Coulter's advice and having a bar, I'm ecstatic to be partnering with Waterford, who will be kitting out my bar with a gorgeous mix of old and new designs. Joining Waterford on my table tops will be the floral illusions of NDI/Natural Decorations, Inc.

Here's my complete list of (current) sources... and I have a feeling the list will grow before the Gala opening on November 20, 2013.

Then there are those who won't have an item or trade represented in the room, but people without whom I'd not have had the introductions, shoulder and support: Stephanie Somogyi Miller, Tyler Hamilton and Jen Abramowitz of Miller/Hamilton Companies/Spread PR, Jan MacLatchie of JanMacBrands, Jennifer Skoda, Ruth Gottesman, Suzanne Sokolov of Showcase Kitchens, Robert Contini and Jason Lowe of the D&D Building, Vicki Hubbard of Traditional Home, and design genius, good friend and RISD co-alum Douglas Morris, of Poulin+Morris Design. Not to mention the generous designers who gave me such sage and smart advice.

And throughout the whole process, I've managed to make or strengthen friendships with some wonderful designers, showroom personnel, artists and craftspeople. So, when the house opens for Press Preview on November 19th, the Gala on November 20th, or throughout its month-long run, my room will be full of friends. Even when nobody's in it.

Holiday House NYC is held in the Academy Mansion, 2 East 63rd Street, New York, NY. The opening night gala is November 20th, 2013, and the house is open to the public daily from November 21 through late December. All proceeds benefit the Breast Cancer Research Foundation.


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