Wednesday, October 20, 2010

about a work in progress.

Randi writes: “We made a mistake and put in a blue carpet. I should just replace it. Just too hard to find blues in a comforter and drapes to match it. Our bedroom is very visible ... anyone who is in our home can see it. We do a lot of fund raisers and parties ... would love to have a bedroom that is fun for people to see.”

“We have the tan walls we had when we had the cream carpet. What made me think about you was the room you just did on your blog entry, "About a Beige Bedroom." Made me want to go back to the creams and tan we had when we first moved in. I just haven't done anything since we put in that carpet. My husband hates it and I am so frustrated trying to match the blue. I want a soft, pretty and romantic bedroom and just can't find anything here that really captures me."


One of the reasons I am a big fan of the all-at-once "Installation Day" mentality of redoing a room is because, at major steps in the process, homeowners like Randi often have the dreaded combination of cold feet and buyer’s remorse. It’s especially hard in a space where you’ve been for a while. One big piece changes, and suddenly, you can’t see the picture of the finished puzzle.

Fear not. The carpet can stay. I love porcelain blue (and other hard-to-describe blue-hued) bedrooms. Soooo soothing. But two things are working against you right now: the carpet is the only blue you’ve invited to the party, and it seems the odd color out. And secondly, you’ve got a LOT of warm wood (and wood-adjacent) tones in that room that are fighting the new cool color, not mixing with it.

While some people think you can’t mix warm and cool colors to a harmonious end, I don’t automatically agree. There are degrees of warms and cools, and if you turn down the color temperature on your warm tones (like pouring Cream in your Coffee) you’ll get a step closer to color harmony. But how do you get to the finish line?


Clockwise, from Upper Left: Pottery Barn Velvet Window Panel, "Glacier Blue;"
Tufenkian "Chimbay Lac D'Or Kotana" Rug;
"Tempo" Pillow in Sea Blue, Crate & Barrel;
Crystal Sphere, Mitchell Gold + Bob Williams; "
Blue Green Trees" by Libby Smart, Z Gallerie; Quails on Branch Needlepoint Pillow, Pierre Deux; Right- and Left-facing "Quail" Table Lamps, Pierre Deux; Silk Drum Lamp Shade; European Trumeau Mirror, Wisteria; Waterford "Mullingford" Bedding, Macy's; "Frise" Table Lamp, Pierre Deux; Pauline Chaise in Queen Pool, Z Gallerie; Orchid in Glass Vase, Z Gallerie; Painted Wood Spindle Lamp, Pierre Deux; Barbara Barry, "Starry Night" in Vapor, Macy's; Pair of 1960's Venetian Glass Tiffany Blue Lamps, Todd Hase; "Eddie" Accent Chair, Peacock, Z Gallerie; Stag Garden Ornament, Wisteria (discontinued)

Fabrics, carpets, and bedding are your big allies here: Find the ones that mix your blues with creams, ivories (that run the range to golds) and even ruddy and chestnut browns. I love doing it with a wool and silk rug (layered right over that wall-to-wall) and patterned bedding and accent textiles.

I also love finding art that mixes bits from your entire color story. I know, for some, that comes dangerously close to “sofa-matching art,” but I prefer to think of it as finding art you like that celebrates your color palette. Here, a freshened landscape in a slightly more contemporary style gives a bit of kick to the room’s style and marries all the colors of the room. And, like the rest of Randi’s home, is inspired by the nature just outside. If too modern, a more traditional landscape can still do the trick.


Layer on the Blues
Don’t try to get a dead-on match to the carpet with your other textiles (you’ve discovered just how frustrating that can be!). The key to making a hard-to-match color work is to hit all the notes around it… a little deeper here, a little lighter there, a little greener here, a little bluer there, some brighter, some grayer. This collected family of blues will end up looking layered, sophisticated and intentional. It may seem counter-intuitive to add to a color scheme you’re not really loving, but trust me, you can make it an intentional choice when you explore its adjoining range.

Speaking of range, mix your bedding with a range of brands and tones for a very personal look. You’re always on the right track with Barbara Barry bedding (Randi currently has her bedding in a warm ivory “Champagne”), but look at her bluer “Vapor” color. Layer it with Waterford’s “Mullinger” bedding collection.

The only place you need a very close match to the carpet is with wall color… get as close as you can to the carpet color, then head a few clicks up the paint swatch to a slightly lighter version. There’s your wall color.

The runner-up for color matching goes to the drapes… they should bear a close family resemblance to the carpeting and wall color. Here. Pottery Barn’s velvet panels in “Glacier Blue.”

Randi's Armoire
Get Out of the Woods
With your large armoire, wood bed and wood nightstands, plus wood trim and wood blinds… that’s a lot of wood.

Now, if it were me, I’d paint out your baseboards and wood-toned window trim. Some find that sacrilegious, but I think painting the wood trim out in a room like this creates a calmer, more neutral envelope. Here, I’d go with either a barely-there even lighter version of the wall color or an almost-white ivory (satin finish for either choice).

The lines of your furniture have a bit of a French feel, so look to the French Country-side of things for inspiration. A painted wood trumeau-style mirror, a Bergere-style ottoman and perhaps even toiles will counter all that medium brown with a slightly French accent. And what’s more romantic than a little French accent?

Left: Ballard Designs "Camille" Toile Bedding; Right: Ballard Designs "Louisa" Bergere Ottoman

And bring in painted finishes to counter the wood while keeping your traditional starting point… and painted wood is a nice bridge between all the stained finishes, and the non-wood rest of the room. Those mid-steps are what knit a room together.

Get Gender Equality
In a Master Bedroom shared by a man and a woman, I like to make sure both parties feel welcome. Here, that means some floral references that steer clear of frilly, and some architectural references that have softer, curving forms.


Finishing Touches
A room is made of details, and nowhere are details more noticed than a room where you begin and end each day. A challenge with a headboard like yours, and with a ceiling height you are blessed with, is what to hang over the bed. I like this architectural fragment from Restoration Hardware. Its grayed-out wood finish will sink dreamily back into the gray-blue wall color, while referencing both the headboard and the ceiling's pitch.

Top: Randi's current wall covering, Master Bathroom
Bottom: "Coral on Blue 1" and "Coral on Blue 3," Z Gallerie

Bounce the Blues
I’m a huge fan of bouncing one room’s colors into an adjoining space for continuity, and there’s no better place to do it here than the adjoining Master Bath. The floral wallcovering in the cafĂ© au-lait color will work a bit better with the Master Bedroom by introducing just a bit of the blues. I’d do it with these blue coral prints from Z Gallerie, whose forms speak to the wallcovering's pattern, and whose color sends a subtle shout-out to the blues next door. I also love the white frames.

A Bird Note:
Sometimes you find out a homeowner’s preference mid-way through a project… I collected some images then heard from Randi, “Please, no birds in the fabrics!” Sorry Randi! I left those Quail Lamps and the needlepoint pillow in to round out the nature story, but also offered you some non-bird choices you might prefer a bit better.

Okay, your turn... while keeping all the major furnishings, how would you take on Randi's mid-point project blues?

Wednesday, September 22, 2010

Trendspotting at the NYDC - Color Stories



Color forecasting is a tricky business, and an art all its own. But walking the floors at the New York Design Center this week, a few things are clear, a few directions distinct, and ALL are ready to roll (or brush) out, in upholstered furnishings, casegoods, textiles, accents or even paint, right off the showroom floors into your own home. It's What's New, What's Next, right now.

Parchment and Champagne

Upholstery at Hamilton Furniture

Reeded Console, Barbara Barry Realized by Henredon

Tracy Kendall's "Buttons" Wallcovering, Ted Boerner New York

Don’t call it beige. On almost every floor, in showrooms Hamilton Furniture (sadly, no relation!), Henredon and Ted Boerner, in contemporary, traditional and transitional showrooms, parchment finishes and champagne tones are keeping things chic, fresh and glamorous. A warmer, deeper ivory (with a kiss of pink or yellow) is showing up in upholstery, wallcoverings, and painted and applied finishes on casegoods.

Barely-there Tints

Artwork at the relocated and expanded Dennis Miller Associates showroom

Silk Velvet Upholstery at Saladino Furniture

Pale and ethereal, these are not your grandmother’s Palm Beach pastels. A little grayer, with a little glimmer, they reference the colors of iridescence, but with a grown-up sophistication. Perfect when served with parchment and champagne, and no better way to get your Glam on in the bedroom. The Queen of Barely-there, Barbara Barry, runs with the concept in the room vignettes at Realized by Henredon (well, not runs. Breezes through, elegantly). And the King of Castle Chic, John Saladino, wields these pale tints with a deft hand. I'd pair them with a sun-bleached Oushak, and punch up the scheme with some deeper corals or the orange of the moment, Persimmon.

In-Between Green

Upholstered Sectional at PROFILES

Silk Velvet Upholstery at Saladino Furniture

Somewhere between sage and olive lies a mossy green that’s one part modern, one part retro, but very now. It’s a near-perfect, not-quite-neutral, ideal on larger upholstered pieces. I took a Lichen to pieces at PROFILES and once, again, Saladino.

Off-the-Chart Colors

"Aaron" Chair at Bright

"Ella" Sectional at DESIGNLUSH

Christopher Farr Rug (displayed on the wall) and Leslie Anton's "Blossom" Pendant at Ted Boerner New York

These are the colors that fall between the lines of paint charts and the color wheel. Earthy and interesting but never muddy,they defy description through a hefty dose of gray and (sometimes) a little bit of pewter sheen. The perfect foil to modern leathers and rooms with a settled-in feel. They're the perfect way to add a sense of luxe to mid-century modern, and add warmth and luxe to contemporary spaces.

The New Orange

Elana Lounge Chair in "Poppy" at Bright

Vanessa Side Chair at Bright

Iconic Vladimir Kagan Sofa at Kagan Couture

Orange grows up, and you’ll fall in love. In velvet or mohair, like on the curvaceous sweep of Vladimir Kagan Couture’s classic sofa, this red-orange glows like the embers of a fine cigar. It runs the autumnal spectrum from bright rust to persimmon. You’ll just need a little to bring fireside warmth to a living room. I can also see this becoming the next new-classic color for the formerly-red dining room.

What colors are YOU seeing, loving?

Trendspotting at the NYDC - Style Trends

Prepping for my appearance at the New York Design Center's "What's New, What's Next" Fall Preview event, I took a top-to-bottom tour through the 16 floors of this venerable home furnishings building. The place was buzzing, with showroom and building renovations, new tenants, floor-to-floor moves, new collections, and some noticeable trends worth watching… and taking home. First up: style trends. (PS: Can you tell I'm a John Saladino fan???)

The New Antique

Museum-mount Lighting from Arteriors Home

Museum chic: architectural fragments are being handled and displayed with a carefree ease, a confident ireverance, and paired with sleek mounts and functional form. At Saladino Furniture, a capital commands even more attention (and the modernity of sculpture) when perched atop a sleek stainless cylinder. In Arteriors Home, architectural fragments get a new lease on life, and add new life to lighting. It’s a beautiful way to add patina and the grace of age to even the most modern interior.

Rat Pack Luxe

"Aaron" Chair at Bright Furniture

Maybe it’s the Ad Men factor, but Mid-Century Modern is getting a crazy-cool make-over, and it’s as handsome as John Hamm. And just as desirable to have in holding court in your living room. Straighter lines, more luxurious upholstery choices, and hard-to-describe colors (see the "Color Trend" post for more) take the edge off like vermouth in a Martini, and take Wegner-inspired pieces one step closer to the Jetsons, via the CEO’s office. Yes, please. Lots of examples at Bright in Ted Boerner's always swanky and sartorially-inspired showroom, too.

Modern Leather

"Tipping Point" Chaise by Peter Mann and the Modernist Bed in premium hide at DESIGNLUSH

Leather Side Chair at Saladino Furniture

Forget the “Bachelor sofa,” the oversized recliner, and all the damage the 80’s did to leather’s reputation. This is a horse of a different color. Lighter frames, sleeker silhouettes, and architectural edge give leather (in traditional or contemporary form) a fresh, and highly usable, perspective. And hair-on-hide still provides the perfect accent note which, even when patterned or pieced, Is surprisingly neutral. These examples from DESIGNLUSH and Saladino Furniture show the time-travel capabilities of these timeless New Leather pieces.

Instant Vintage

The William Haines Designs Collection at PROFILES

From a galaxy very, very close, and not so long ago. The silhouettes on these pieces of upholstery and casegoods are familiar… but not. The pieces no doubt inspired by flea market finds (of the Clignancourt variety) and antique finds (of the 1st Dibs pedigree) but showroom ready, and without having to raise your paddle at Sotheby’s. The added bonus: You can get your ideal upholstery choice without having to say “Doh!” when the Antiques Roadshow guy says, “Well, in its original fabric, you’d be sitting on a goldmine.” These pieces add instant depth and maturity to any space, especially new-box construction. See also, “Rat Pack Luxe,” and see it also at Bright, Barbara Barry Realized by Henredon (for a 40's glam vintage take), and Dennis Miller Associates (in their brand new digs!)

Plush Life

Iconic Vladimir Kagan Sofa at Kagan Couture

Familiar forms, with fuzz. Mohairs and velvets (see below) take familiar forms and up the ante. Has the iconic Kagan sofa (a signature piece at the expanded Vladimir Kagan Couture) looked more luxurious than it does in this plush persimmon incarnation? Yowza.

Silk Velvet Upholstery at Saladino Furniture

Nothing says luxe like velvet, and with a touch of viscose or silk, this staple of upholstery looks fresher than ever. A perfect pairing with Instant Vintage. These shimmering velvets age beautifully, and their subtle sheen makes even the largest upholstered piece a tamer scale, since they respond to lighting changes so beautifully. And in barely-there colors, the visual weight often associated with velvet just evaporates.

What style trends are seeing, loving?